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Matt Singer

Matt Singer is the managing editor and film critic of the website For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. He’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire.
Black Mass
Warner Bros.

‘Black Mass’ Review: Johnny Depp as a Wicked Boston Gangster

Jawny Depp can be a great actuh. But at a certain point in the recent past, Jawny seemed to stop looking faw great material and stahted looking faw anything that would affawd him the awppawtunity to put on a crazy wig and speak in a weeuhd accent. In the past few yeeuhs he’s played a vampiyuh with crazy hair and a weeuhd accent, a Native American with a bird on his head and a weeuhd accent, a Canadian detective with a fake nose and a weeuhd accent, a singing wolf with crazy hair and a weeuhd accent, a British art thief with a crazy mustache and a weeuhd accent, and now, in Black Mass, he’s James “Whitey” Bulgah, with thinning hair and a thick Bahston accent. Do you think Jawny even remembuhs what he really sounds like at this point?

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Fox Searchlight

‘Demolition’ Review: A Strong Jake Gyllenhaal Performance in a Weak Movie

Naomi Watts’ is the second-billed star in Jean-Marc Vallée’s Demolition. On the film’s official Fox Searchlight website, her name appears above the title next to Jake Gyllenhaal’s. But she barely appears in the film’s trailer. She’s onscreen for less than one second. She says just three words. (“You miss her?”) It’s almost like the trailer is trying to hide her.

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Review: ‘Sicario’ Is One of the Most Intense Movies of the Year

‘Sicario’ is an exercise in prolonged tension like few others. Every moment from the first scene to the last is suspenseful. The opening, a deadly raid on a drug kingpin’s safe house establishes a terrifying precedent: In this film, violence can erupt at any time without any warning, and no one and nothing can be trusted. Having thoroughly unsettled the audience, director Denis Villeneuve keeps viewers on edge with shifty characters, sudden bursts of gunfire, and the careful use of a persistent, pounding score. Remember the scene in Boogie Nights where Alfred Molina is randomly tossing firecrackers at Mark Wahlberg and John C. Reilly? Sicario is like that scene for two straight hours with no “Sister Christian.” It is intense.

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Hitman: Agent 47
20th Century Fox

‘Hitman: Agent 47’ Review: The Hitman’s Name Is Agent 47, So Technically the Title of This Movie is ‘Hitman: Hitman’

Agent 47 is a perfect assassin, designed in a lab to kill with ruthless efficiency and accuracy. Mad scientists tweaked his genetics to enhance his toughness and diminish his emotions, because emotions make people weak. In his line of work — murdering people, all day, everyday, for money — it is better not to feel.

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The Incredibles best superhero

First ‘Incredibles 2’ and ‘Cars 3’ Posters on Display at D23

Disney’s annual convention dedicated to itself, D23 (named, I assume, after the number of dollars you have left in your bank account after you go and buy lots of cool Disney swag), kicks off today, so expect plenty of news and announcements coming out of Anaheim all weekend...

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Vacation group shot
New Line

‘Vacation’ Review: This Sad Sequel Truly Is a Road Trip from Hell

Full disclosure: I missed the last 10 minutes of Vacation. Last night’s press screening started 20 minutes late, then began without any sound, which lead to a 10 minute delay to correct the technical difficulties. With an unbreakable engagement elsewhere, I had to sneak out right before the very last scene. So take this review with as many grains of salt as you’d like. If you think those final minutes might recontextualize everything that came before to transform a generally miserable comedy into a beacon of transcendent hilarity, so be it. Having sat through the previous 90 minutes, I’m of the opinion that nothing short of the long-lost missing footage from Orson Welles’ Magnificent Ambersons could have redeemed this dreadful film.

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