Last year, back when it still seemed possible that Sony may try to continue their Amazing Spider-Man reboot and before they teamed with Marvel to relaunch Spidey in a new film series that will connect with the Marvel Cinematic Universe, ScreenCrush Editor-in-Chief Mike Sampson and I put together a list of ten directors we thought could save the Spider-Man franchise. One name we both immediately thought belonged on the list was Drew Goddard, the man who directed The Cabin in the Woods and was then slated to direct the Amazing 2 spinoff The Sinister Six.
Before he made the Oscar-winning film Whiplash, writer/director Damien Chazelle made a short film called “Whiplash,” an excerpt from the feature script with the same characters, one of the same lead actors, and much the same story. J.K. Simmons, who won an Academy Award last week for his performance as the brutally abusive music teacher Mr. Fletcher, first played the role here. Miles Teller, who played ambitious drummer Andrew Neiman is MIA though; his part is played by Johnny Simmons from Scott Pilgrim vs. the World, 21 Jump Street, and The Perks of Being a Wallflower.
How many times in your life have you snuck up on someone and scared them? Three, maybe four times? The Lazarus Effect is the kind of horror movie where people do that constantly. It’s basically their standard greeting; instead of “Hello!” they jump on people from behind, sometimes while wearing pig masks. It doesn’t make much sense, but they’re not doing it because it’s logical — they’re doing it because this is a bargain basement horror film and you take the scares wherever you can get them.
It’s been a decade since Will Smith was “Will Smith” onscreen. Sure, he’s made movies in the last ten years; science-fiction pictures, dramas, comedies. He even played Satan, once. But none of them riffed on that classic Will Smith persona that everyone loves; the infectious charm, the seductive smile, the cocky but casual swagger. (What’s that? Men in Black 3? No, they never made a third Men in Black. You must be confused.)
One of the few unquestioned highlights of this year’s Academy Awards was the live performance of Best Original Song nominee “Everything is Awesome” from The LEGO Movie. Tegan and Sara and the Lonely Island performed, Oprah got her very own LEGO Oscar, and Will Arnett moaned about darkness and no parents while wearing Val Kilmer’s Batsuit from Batman Forever. It was a great moment, but one that was totally out of touch with the spirit of the evening. According to almost every pundit and critic, everything was decidedly not awesome about the 87th Oscars.
At long last, the Oscars are in the books for another year. As usual, the Academy Awards made for a night full of memorable moments, great speeches, and huge disappointments. (You deserved better, Boyhood.) Here now, the highs and lows of Oscars 2015 — all the things the Oscars got right this year, and all the things they got wrong:
This Sunday’s Oscars will be the 87th annual Academy Awards. In nearly a century of honoring Hollywood’s best, the Academy has sometimes has made some bold choices, and some dumb choices. This gallery has them all; the complete history of nine decades of Best Picture winners in pictures. Some are classics, still watched to this day. A few are almost totally forgotten to history. (Cavalcade, anyone?) But they all won. Even Crash, somehow.
For most people, Valentine’s Day means flowers, chocolate, and romantic dinners. For cinephiles (or people too cheap or lazy to leave the house), Valentine’s Day means snuggling on the couch and watching a romantic movie. If you’re planning a Netflix night this weekend, picking the right film is key. There’s nothing worse than inviting that special someone over for a private screening, lighting a few candles, pouring a glass of wine, and then killing the mood by putting on In the Ream of the Senses.
Christian Grey is an unusual guy. He’s the world’s most eligible billionaire bachelor and an enormously powerful businessman. He’s an avid jogger, an exceptional piano player, and a licensed helicopter pilot. He also really like the color gray. He wears gray suits and ties, drives a gray car to his gray office building (which is called Grey House) under gray Seattle skies, where his assistant dresses in—you guessed it—gray. (For the record, his office chairs are white but the couches are gray too.) And, oh yeah, he’s into kinky sex, including bondage, spanking, and domination.
Disney’s big kick right now is revisionist versions of classic fairy tales. ‘Sleeping Beauty’ became ‘Maleficent,’ a sympathetic look at the supposedly “evil” witch. Last Christmas’ ‘Into the Woods’ followed numerous fairy tales to find the unhappy endings after their “happily ever after.” Even ‘Frozen’ reconfigured numerous classic fairy tale tropes (the handsome price was secretly [SPOILER ALERT] the bad guy, and the film’s true love story was actually between a pair of sisters). What’s most surprising about Disney’s new live-action ‘Cinderella’ is how unsurprising it looks; it seems totally unlike those films in its old-school vibe.
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