Eduardo Rivadavia (aka Ed Rivadavia) was born in São Paulo, Brazil, and by his late teens had already toured the world (and elsewhere), learning four languages on three continents. Having also accepted the holy gospel of rock & roll as his lord and savior, Eduardo became infatuated with the New Wave of British Heavy Metal and all things heavy, crude, and obnoxious while living in Milan, Italy, during the mid-1980s. At this time, he also made his journalistic debut as sole writer, editor, publisher, and, some would claim, reader of his high school's heavy metal fanzine, earning the scorn of jocks and nerds alike, but uniting the small hardcore music-loving contingent into a frenzied mob that spent countless hours exchanging tapes, talking shop, and getting beat up at concerts. Upon returning home to Brazil, Eduardo resumed a semi-normal existence, sporadically contributing music articles to local papers and magazines while earning his business degree. Finally, after years of obsessive musical fandom and at peace with his distinct lack of musical talent, Eduardo decided the time had come to infiltrate the music industry by the fire escape. He quit his boring corporate job, relocated to America, earned his master's degree while suffering the iniquities of interning for free (anything for rock & roll!), and eventually began working for various record labels, accumulating mountains of records and (seemingly) useless rock trivia in the process. This eventually led him back to writing, and he has regularly contributed articles to multiple websites since 1999, working with many different rock genres but specializing, as always, in his personal hobby: hard rock and heavy metal. To quote from the insightful 'This Is Spinal Tap': "People should be jealous of me...I'm jealous of me...." Eduardo currently resides in Austin, TX, with his wife, two daughters, and far more records, CDs and MP3s than he'll ever have time to listen to.
Eduardo Rivadavia
Why Guns N’ Roses’ ‘Live ?!*@ Like a Suicide’ Wasn’t Really Live
Even back then, there were clues that these early songs weren't recorded in concert.
30 Years Ago: Tesla Debut With ‘Mechanical Resonance’
In the mid-'80s, hair metal was king.
How Judas Priest Survived the ’80s
Heavy metal has been going strong since the '70s, but if you look purely at the sales figures, the style enjoyed its commercial peak during the '80s.
45 Years Ago: Humble Pie Break Through on the Live ‘Performance Rockin’ the Fillmore’
The popularity and proliferation of live albums was a distinct phenomenon of '70s rock 'n' roll.
When ZZ Top Put It on Cruise Control for ‘Tejas’
They kept the pedal to the metal for most of the early '70s. Then came 'Tejas.'
How Kansas Rebuilt For a Surprise Comeback With ‘Power’
A new decade had humbled the group, which was now divided by both professional and personal differences.
How AC/DC Scored Their First No. 1 With ‘For Those About to Rock’
After 'Back in Black,' this long-germinating LP was more victory lap than breakthrough.
Why Thin Lizzy Struggled Through the Misunderstood ‘Renegade’
Their most underrated album achieved the lowest chart position since 1975's pre-fame 'Fighting.'
How Rush Looked Back at a Rise to Stardom on ‘Exit … Stage Left’
This live LP arrived on the heels of their best-selling and arguably definitive studio album, 'Moving Pictures.'
40 Years Ago: Triumph Release Their Debut Album
If you were to ask most Triumph fans living in the pre-internet era to name the Canadian power trio's debut album, they'd probably tell you it was 1978's Rock & Roll Machine. They'd be wrong ...