Were you always a little lost within the big-concept narratives of the Who's rock operas? Scared to admit that you really had no idea what Pete Townshend was getting at with 'Tommy' or 'Quadrophenia,' iconic though they may be? You're not alone: Who frontman Roger Daltrey, in fact, admits to some initial confusion, as well.
Less than half a year after hinting at their imminent retirement from the road, the Who are getting back together sometime this year to record a new album.
The unlikely partnership of Kit Lambert and Chris Stamp, the managers of the Who in their early days, is the subject of a new documentary. 'Lambert & Stamp' had its premiere at the Sundance Film Festival in Park City, Utah earlier this week.
We've all been disappointed by a late-period record by one of our favorite bands, and to one extent or another, we've all engaged in an endless debate over whether it's better to burn out or fade away. For Buzz Osborne of the Melvins, the answer is neither; creativity takes effort, and he expects great artists to keep trying.
Following an incendiary performance at The Forum in Montreal on Dec. 2, 1973, the Who attended an after-show party put on by executives from RCA. Would you be surprised if we told you that legal trouble and property damage ensued?
One of the most experimental hard rock groups of the '60s and '70s, the Who were rapidly evolving musically when they released 'The Who Sell Out' on Dec. 1, 1967.