Sundance

‘The Dirties’ Review
‘The Dirties’ Review
‘The Dirties’ Review
Nobody asked for this movie. But someone was going to make it. I'm just glad it was Matthew Johnson, a young (but not as young as he looks!) Canadian director/co-writer/co-star who has the chutzpah to take on a really difficult subject and the chops to deliver without coming off as crass or exploitative. There are plenty who will refuse to give 'The Dirties' the time of day, and that's somewhat un
Amanda Seyfried Nude in ‘Lovelace’ – “There’s Just So Many Boobs!”
Amanda Seyfried Nude in ‘Lovelace’ – “There’s Just So Many Boobs!”
Amanda Seyfried Nude in ‘Lovelace’ – “There’s Just So Many Boobs!”
Amanda Seyfried appears nude in 'Lovelace' - this we pretty much knew, considering it's a biopic based on the life of legendary adult film star Linda Lovelace. While some audience members at the 2013 Sundance Film Festival premiere were taken aback by the nudity, Seyfried herself didn't think much of it and spoke out about any potential controversy.
‘Upstream Color’ Review
For some psychotic reason my parents showed me '2001: A Space Odyssey' when I was around ten. Ever since, I've been chasing that dragon. I've been looking for someone to use the powerful tools of cinema to show me - not tell me - something important about the Universe and have me work to (almost) understand it. There have been times that have come close - Godfrey Reggio's 'Koyaanisqatsi' probably
‘Before Midnight’ Review
‘Before Midnight’ Review
‘Before Midnight’ Review
Allow me to mar the sophisticated, near-painterly screenplay of Richard Linklater's 'Before Midnight' with these purple lines from the Steve Miller Band: time keeps on slipping, slipping, slipping into the future. Oozing sagacity, melancholia and, if you work at it, hope, the third and best (and hopefully not final...
‘Mud’ Review
‘Mud’ Review
‘Mud’ Review
'Mud' is a great story, but not a particularly great film. Dripping in regional specificity and broad metaphor, Jeff Nichols' new film feels more like a big, fat American novel you get assigned in 10th grade than the follow-up to 'Take Shelter.' That earlier film's ominous tone and psychological portraiture is traded-in for large, gestural story beats that itch to be broken down and discussed for